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Streaming Soon via Zoom from the Schoolhouse

Check Out All of Our Upcoming Workshops

26th Annual
Schoolhouse Fiddling Bee
Sunday, October 9, 2022 at 2:30 PM
Family friendly fiddle contest for all ages.

Women’s Compositions for Two Workshop
with Debby Greenblatt

featuring tunes from the “Women’s Compositions for Two” series
for folks who play violin, viola, cello, bass, mandolin, soprano recorder, and/or alto recorder

Tuesday, October 11, 2022 at 7:00 PM (CT)
Wednesday, October 12, 2022 at 10:00 AM (CT)
Friday, October 14, 2022 at 7:00 PM (CT)

Pre-registration is required.


Klezmer Tunes for Two Workshop
with Debby Greenblatt

featuring tunes from the “Klezmer Fiddle Tunes for Two” series
for folks who play violin, viola, cello, bass, mandolin, soprano recorder, and/or alto recorder

Tuesday, November 8, 2022 at 7:00 PM (CT)
Wednesday, November 9, 2022 at 10:00 AM (CT)
Friday, November 11, 2022 at 7:00 PM (CT)

Pre-registration is required.



Private Online Music Lessons
Both Debby and David are now offering private online music lessons via Zoom
from the Old Avoca Schoolhouse.

Greenblatt & Seay Publications Latest Releases

featuring arrangements for violins, violas, cellos, basses, mandolins, and recorders

Ukrainian Fiddle Tunes for Two

35 traditional Ukrainian marches, patriotic songs, polkas, waltzes, etc.

Bach Family Album for Two

26 lively pieces composed by Johann Sebastian Bach and four of his sons.

Baroque Tunes for Two

27 European dance pieces composed between 1600 and 1750.


Recent Review for
Cajun Fiddle Tunes for Two
Canadian Fiddle Tunes for Two
French Fiddle Tunes for Two
“These three books are perfect for anyone wanting to not only learn French traditional tunes for fiddle playing, but also to see the French influence on songs that became popular in the Americas. The French compilation contains many simple and well-recognized tunes such as ‘Free Jacques’ and ‘Au Clair De la Lune’ as well as a number of French versions of polkas, schottisches, and other dance tunes. The Cajun compilation covers many recognizable tunes that one may not immediately know the titles of. It is also very dance tune-heavy in content, which is expected of that culture. The Canadian compilation pulls in a few tunes from each regional style (Quebecois, Cape Breton, Ottawa Valley), but also shows the English influence on Canadian fiddling. Like all of Greenblatt’s work, the trio of texts highlighted here are easy to follow and include chord progressions for guitar/piano accompaniment. These are truly recommended for anyone interested in European culture influencing music in the US and Canada”
...Matt Merta Fiddler Magazine, Spring 2021

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