Greenblatt & Seay

A collection of 35 traditional Ukrainian marches, patriotic songs, polkas, waltzes, etc. These melodies will make you cry, and make you dance. Arranged for violins, violas, cellos, basses, mandolins, soprano recorders, and alto recorders.

A collection of 26 lively pieces composed by Johann Sebastian Bach and four of his sons, Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach, Johann Christoph Friedrich Bach, and Johann Christian Bach arranged for violins, violas, cellos, basses, mandolins, soprano recorders, and alto recorders.

Books with arrangements for soprano and alto recorders are now available to complement our violin, viola, cello, bass, and mandolin versions of this collection of tunes.

A collection of 27 European dance pieces composed between 1600 and 1750 arranged for violins, violas, cellos, basses, mandolins, soprano recorders, and alto recorders.

featuring tunes from the “Baroque Tunes for Two” series
for folks who play violin, viola, cello, bass, mandolin, soprano recorder, and alto recorder

featuring tunes from the “Ukrainian Fiddle Tunes for Two” series
for folks who play violin, viola, cello, bass, mandolin, soprano recorder, and alto recorder

featuring tunes from the “Renaissance Fiddling Tunes For Two” series
for folks who play violin, viola, cello, bass, mandolin, soprano recorder, and alto recorder

“These three books are perfect for anyone wanting to not only learn French traditional tunes for fiddle playing, but also to see the French influence on songs that became popular in the Americas. The French compilation contains many simple and well-recognized tunes such as ‘Free Jacques’ and ‘Au Clair De la Lune’ as well as a number of French versions of polkas, schottisches, and other dance tunes. The Cajun compilation covers many recognizable tunes that one may not immediately know the titles of. It is also very dance tune-heavy in content, which is expected of that culture. The Canadian compilation pulls in a few tunes from each regional style (Quebecois, Cape Breton, Ottawa Valley), but also shows the English influence on Canadian fiddling. Like all of Greenblatt’s work, the trio of texts highlighted here are easy to follow and include chord progressions for guitar/piano accompaniment. These are truly recommended for anyone interested in European culture influencing music in the US and Canada”